There's something about a bad boy.

For instance, my favorite literary character is MacBeth, Shakespeare's good-boy-gone-bad. In the beginning, MacBeth is kind, maybe even an overachiever. But once he tastes sweet success, the passion for power and ambition culminate in his undoing.

My favorite character from a TV show is Tony Soprano, whose storyline in the David Chase-inspired show mirrors MacBeth. There's something lovable about Tony, but you wouldn't want to cross him or you may find yourself swimming with the fishes. By the way, if you haven't seen episode 33, take me to the river takes on a whole new meaning, thanks to a Big Mouth Billy Bass.

Tony is smart and edgy and has that gravelly voice with a heavy dose of Brooklyn. He's also kind and, deep down, devoted to help others. His character flaw, though, is ambition and the lust for power.

When James Gandolfini - the actor who portrayed Tony Soprano - died in 2013, I figured I would have to quench my Sopranos thirst on reruns. I also figured loyal viewers would never find out what happened to the mafia king and his family in the series' final episode, when the screen cuts to black after Journey sings "Don't Stop Believin.'"

Was it lights out for the Soprano family or did they face the consequences of their actions via the justice system?

Viewers may never know.

But ... last week a trailer dropped for the Sopranos prequel, "The Many Saints of Newark." The new show will explore Tony's teenage years, highlighting the moment where ambition, power and pride push him to become a mobster with a seemingly split personality.

I'm looking forward to learning more about this character who made me laugh and tugged at my heart for six seasons. Those who relish everything Sopranos related are ecstatic that the new, younger version of Tony Soprano resembles the older character. He should. Gandolfini's son, Michael, will play the character his dad made famous.

Why are we drawn to fictional characters - or even people in real life? Do we believe we can offer a fix for their woes? Or, do we see traits we wish we had or know we possess? I used to ask these questions to students when studying the classics. Lots of good discussion and inner analysis.

Vulnerable, hopeful, curious. Add a rough exterior and a heart of gold and you end up with the right combination for another successful mobster drama.

As soon as it airs, you'll find me cheering for Tony's redemption and wishing a part three, the aftermath of the original series, will be in the works.